Wonderful marble sculpture with tattoos
Antique marble sculptures that are on exhibit in Pietrasanta, a village in Tuscany, aren’t exactly what they seem. They were positioned there as a component of Italian artist Fabio Viale’s Really show, which was organized by Enrico Mattei. The sculptures, however, are not your typical rock monuments; they are all “tattooed.”
Viale first became interested in tattoos after encountering a Russian tattoo artist whose fingers were covered in “strange” markings. According to Viale, “I felt incredibly intrigued, so I requested him to sketch a statue.” “I prefer the tattoos that incorporate historical symbolism and cope with life and death.”
Viale employs an ink that permeates the crevices of the stone rather than simply hand-painting the surface of the statues to achieve colour that is fully absorbed. By combining the traditional art form with contemporary body art, he subverts how people view antique sculptures. In order to produce a statue with a dual personality, he tattoos marble. By doing so, he gives antique artworks a second chance at life and, in a modern fashion, gives society a fresh new look. Old sculptures can also be viewed as a type of clothing now, just as tattoos! Adding new life to old sculptures creates a historical link to timeless magnificence.
The focal points of Viale’s Truly show are devoid of tattoos, despite the fact that the majority of the statues do. The 3 Graces are placed to sit on plinths inside the Sant’Agostino cathedral from the fourteenth century. Three women from the Algerian town of Ghardaa are represented by the three figurines. They all dress in the customary haik, a long, white garment that is wrapped all around torso and head. The statues are meant to raise problems related to religious and individual liberty.
Here are some pictures from the Truly show at Viale, along with some behind-the-scenes photos. Check his webpage if you really want to learn more about this designer.
Italian artist Fabio Viale showed statues made of tattooed marble in the Tuscan city of Pietrasanta for his Truly show.
His intention was to create a “dual personality” for the old sculptures.
By combining the traditional art form with contemporary body art, he subverts how people view historical art.
Viale manually paints every “tattoo” on the rock with a special ink that irreversibly stains it.
The Three Graces, which stand on plinths within the Sant’Agostino cathedral from the fourteenth century and symbolize three women from the Algerian town of Ghardaa, are there.
The sculptures, which are covered with the customary haik all over their bodies and heads, are meant to raise concerns about issues of individual liberty.
